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The
International Writers Magazine: Travel Pages
Cutting
the pages
Eric D Lehman
A few years back,
I was afforded a rare pleasure. Having taken a walking holiday in
England, I began searching the local libraries for accounts of similar
journeys. I happened across Afoot in England by W.H. Hudson,
an author previously unknown to me. Hudsons love of the English
countryside mirrored my own, his encounters with people and places
delighted my imagination, and his descriptions, somewhere between
scientific and romantic, warmed my heart. However, my unusual experience
did not arise from the charming content, but from the physical book
itself. |
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The edition at the
library was published by J.M. Dent and Sons, one of a twenty-four volume
set printed by The Temple Press at Letchworth, U.K. The publishing date
was a sufficiently if not outrageously remote 1923. The book and its fellows
had been hardbound in beautiful green cloth, with thick pages and heavy
print. But what was remarkable to me was that no one had ever read this
version of Afoot in England, or indeed any of the twenty-four volumes.
The pages had never been cut. What made this even more special was the
set was limited to 750 copies, only 100 of which had been relegated to
the United States. Checking the price later, I found that a collector
valued the series at nearly three thousand dollars.
Knowing that such reading rarities only come to book lovers once in a
great while, I decided to make the most of it. I boiled tea, turned on
soothing classical music, and proceeded to read, cutting the pages as
I whispered along. I carefully snipped the edge of the connected sheets,
opening to my vision a page at a time. After enjoying both Hudsons
rambles through English villages and the process of first reading, I obtained
another of the volumes, digesting the second meal with as much pleasure
as the first. I waffled between thinking that this was devaluing the books
and thinking that I was bringing them to their purposeful fulfillment.
After all, they were meant to be read!
Wouldnt the library be keeping them in its rare books room if they
didnt want anyone to read them? This was a selfish justification
of my actions, but I found that I couldnt find other editions of
many of the volumes, that when I did the reading experience wasnt
nearly as powerful, and that, most importantly, I had fallen in love with
W.H. Hudsons work.
Although I had never heard of W.H. Hudson, I found that he had been quite
popular in the early part of the 20th century, making impressions on authors
like Joseph Conrad, who famously stated "This man writes as the grass
grows." Ernest Hemingway gave Hudson high praise, as I found when
I worked my way through his novels. To my great delight, his narrator
in The Garden of Eden buys the J.M. Dent version I had come to
love, a purchase that far more than money, finally makes him feel rich
and successful.
I did not own these volumes, but I still felt rich. I knew that I had
stumbled upon a rare bibliophilic happiness, one shared by only a few
people, many of them celebrated authors. So, one by one I devoured all
24 of Mr. Hudsons books, from his adventures in South America to
his catalog of London birds. Part of this experience was my love of Hudsons
rustic subject material and beautifully simple writing. But another, perhaps
greater part, was my love of cutting the pages.
© Eric D. Lehman December 2007
elehman@bridgeport.edu
Failure
at the lake
Eric D Lehman
When I was sixteen, my brother Andy and I hiked up the summer Sierra in
the backcountry near Lake Tahoe. Our parents had left us with two water
bottles and worried instructions to stick to the trail. "Dont
get lost!"
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