The International Writers Magazine: Art Archives
On
Heroes in Art
Eric
D. Lehman
We
look up to heroes and see extraordinary lives. But although their
accomplishments may be extraordinary, there is nearly no one who
can stand up under scrutiny.
|
Ken Wilber
|
For example, I
love the poetry of W.B. Yeats. I revere and adore the beautiful words.
But if I look too closely at his life I find a weakling when it came
to love, a grasping personality full of low-level magical thinking,
and a failure in many ways, at least in the eyes of someone worshipping
him as a hero. Even someone whom I revere like Gandhi made various mistakes,
and one could find various faults with his choices and opinions, particularly
with his treatment of women. But having artistic heroes is a chancy
prospect at best. I had a student who absolutely worshipped the tragic
poet Anne Sexton. Need I say that she emulated this suicidal author
in one too many ways? Artists are notoriously bad models for us to set
our life-clocks to.
My other students heroes may be even more dicey. They often choose
artists that are still alive, people who can still screw up in bigger
ways. Whenever we look up to a current musician or politician or sports
figure, that person is bound to disappoint us in some way. And thus
my students end up defending liars and murderers, because their hero-ideal
cannot reconcile itself with the cold human reality. Or at a more representative
level, many of the people of my generation worshipped the creator of
Star Wars, George Lucas, as a genius, and when he disappointed them
with new, mediocre films that disturbed the myths they grew on, felt
betrayed.
Whether all judgment is opinion or whether there is some absolute good
in the world, we all can agree that hero-worship at least is a matter
of perspective. For example, one of my friends was a fan of the trans-personal
psychology writer, Ken Wilber. He did not think that Wilber was some
sort of demigod, but certainly was someone to look up to, to emulate,
to venerate. When asked who his heroes were, Mr. Wilber made the list.
Coincidentally, I had another friend who had met "Ken" a few
times, living in the artists haven of Boulder, Colorado. His view
of the man was radically different. "That guy hits on all the young
girls on campus." He continued with a story that did not make the
brilliant philosopher look very brilliant, scoffing at the mans
validity as a source of knowledge.
Both of my friends made the same mistake. Ken Wilbers philosophy
must be judged on its own, not in the context of his personal life,
whether he is an enlightened seeker or not. During the so-called music
revolution of the 1990s, the band Pearl Jam achieved what all struggling
artists yearn for, stardom. But in response to journalists and fans
asserting that he would "save" music, Eddie Vedder took an
unusual position and demurred, telling fans that: "There should
be no messiahs in music. The music should be the messiah." And
that is what we must attempt to do, venerate the work rather than the
worker.
Can the mistake my students and friends made really be avoided? Some
would say that we humans need hero-worship, brought up as children looking
up to those older and wiser than us. Both our culture and our biology
seem to be against us. Krishnamurti refused to have students, said he
was no ones guru, thought that we shouldnt have heroes or
idols, and yet people still tried to emulate him by frantically doing
hatha yoga and becoming vegetarians. Something in us wants to follow,
to have heroes to look up to, models on which to base our lives.
Very well, then, but as Krishnamurti attested, these other people should
not be our heroes. They are only humans, after all, whatever we imagine
about their personal wisdom or virtue. However, what they create is
not: their ideas, their images, their words. As John Keats tells us,
art is the stuff of immortality, not our own transient lives. And thus
George Lucas is not the hero, Star Wars is. Anne Sextons satirical
poetry should be the focus, not her troubled life. Next time you want
to venerate something, start with the row of books on your shelf, with
the art hanging on your walls, with the ideas passed to you by those
who have known the bittersweet disorder of existence. Because although
perfection in life is a dream of madness, perfection in art is something
we can at least hope to find.
© Eric D Lehman September 2005
Eric lectures at Bridgeport University
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