
THE CORE
A FILM REVIEW BY ALEX GRANT
 |
THE
CORE
Dir Jon Amiel
starring Aaron Eckhardt, Hilary Swank, Stanley Tucci
THE
CORE is a rip-roaring disaster movie that succeeds
as a pop-culture thriller
|
A techno-dweebs
fantasy remake of Jules Vernes classic sci-fi novel JOURNEY TO
THE CENTRE OF THE EARTH director Jon Amiels THE CORE is a rip-roaring
disaster movie that succeeds as a pop-culture thriller in
spite of its utterly nonsensical premise.
The U.S, military has been covertly and calamitously tampering with
the worlds guts in the hope of causing monstrous earthquakes beneath
the lands of its enemies. This nutzoid Operation D.E.S.T.I.N.Y has inadvertently
caused Mother Earths electro-magnetic field to wobble fiendishly
causing death and disaster as the microwaves that control such events
as the migrations of birds and the stability of heart-pacers loop the
loop. Cities are demolished as the Northern Lights grow like Topsy and
the weird wobble worsens. Only a team of dedicated terranauts can save
the day, led by absent-minded geophysicist Josh (Aaron Eckhardt) and
absurdly ambitious former astronaut Beck (Hilary Swank).
Madcap inventor Braz ( Delroy Lindo) has perfected a technological breakthrough
that can bore huge holes right through the toughest of tough materials
known to man. For a mere $50 billion he can, in a matter of months,
build a pioneering rocket that can in a matter of hours pierce the outer
crust, infiltrate the molten mantle, and attain the actual hard core
of our glorious globe.
All very sexual but also very understated Mother Earth finds
these new orgasmic ructions a bit too much. She longs for the sizzle
not the steak. Too much excitement at her advanced age could be fatal,
huh?
Joined in their fantastic voyage on the Virgil - the largest and hottest
Cuban cigar you can ever have seen - , named after the Roman guide to
the Underworld, by astronaut Bob (Bruce Greenwood) and weapons specialist
Serge (Tcheky Karo) the terranautical team inevitably encounters major
obstacles within the mantle. Not every crew member will return safe
and sound. In keeping with the fundamental and irreversible rules of
this disaster-flick game, of course.
The strength of Jon Amiels handling of this potentially preposterous
powder keg of sci-fi clichés lies in his emphasis upon the psychology
of his characters. None of them start out as heroic figures and their
eventual willingness to sacrifice themselves is depicted with a rueful
fatalism and a minimum of cornball dramatics. Amiel allows all the poppycock
to remain in the highly entertaining balderdash of scientific bafflegab
with every one initially running off at the mouth, if not frothing at
the mouth, with sudden insights into the actual nature of the matter
at the heart of the globe about which scientists know very, very little
to this day
Admittedly most of the hardware special-effects in THE CORE are just
this side of chewily cheesy the entire guts of Mother Earth here
resemble a partially digested pizza pie drenched in bubbly Diet-Coke
with loads of pepperoni slices daring hither an thither. And the occasional
diamond as big as the Ritz! And crystals huge enough to delight any
lengthily-haired New Ager!
The destruction of Romes principal landmarks is especially clumsy
and that of San Francisco hardly any improvement, for the unforgiving
purist of large-scale demolition mayhem. But what previous disaster
movie did not prove clumsy and implausible in filming the unbearable
and the utterly horrendous? A thick residue of clumsy camp is crucial
for these mind-blowing wannabe motion-pictures when reality
would be far too disconcerting.
Thus THE CORE, while obeying all of the absurd and endearing regulations
of this often disparaged genre. goes a little further in its concern
for the human element and the winning clash of personalities cooped
up in a crazy-quilt inner-space craft -it is not the journey to the
earths grumbling intestines that matters, more the company you
keep and the clashes of personalities en route.
© Alex Grant March 2003
alexgrantreviews.@hotmail.com
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